mass communication Quell NEW IDEAS
say that mass communication is a barrier to new ideas, seems at first a stupidaggine.Purtroppo this consideration is a reality.
imagine a newspaper (or a library) that will collect all the ideas formulated in a given time riferimento.Abbiamo already seen, talking about the problem of access, that any find a topic within a similar set would be virtually impossible .
There is only one way to make the material accessible to the reader of the ideas contained in a newspaper or a library: the mass of the material must be reduced. The editors or censors
will then make a selection, that selection will necessarily be bad, because in turn they will not be able to read such a mass of information to select alcune.Inoltre will be even more difficult to make a selection new ideas and unusual as it can not be established yet and the terminology that they require a certain period of riflessione.Editori responsible for the maintenance and censors material automatically meaner and already known, by rejecting new ideas.
We can see daily in our newspapers, on television screens, etc..
Now imagine another example - the opposite: that of involving an audience of newspapers between 2000 and 5000 individuals, newspapers, provincial, sectoral, etc.. They can never
disseminate new ideas in their entirety, but will certainly post all new features offered by one of their many readers, and those ideas become accessible to all altri.Ora, if we assume that each community between 5000 and 10000 shall have its own newspaper, we may take for certain that all new ideas are published, though not necessarily read by all the inhabitants of globo.Per how simple the procedure but not however, eludes the rejection of new ideas and possibly result in multiplication and diversification of sottociviltà.
With this imaginary example I wanted to illustrate how the generalized communication, as opposed to the idea that if they did not generally favor the development of the cultural or human knowledge, but is instead an instrument of impoverishment. THE
forms of communication 'VALID appears to remain face to face ones!
( FROM "Utopia establishing" Yona Friedman - EDITIONS Quodlibet)
Sunday, June 29, 2008
2001ut Tripod Quantaray
mass communication Quell NEW IDEAS
say that mass communication is a barrier to new ideas, seems at first a stupidaggine.Purtroppo this consideration is a reality.
imagine a newspaper (or a library) that will collect all the ideas formulated in a given time riferimento.Abbiamo already seen, talking about the problem of access, that any find a topic within a similar set would be virtually impossible .
There is only one way to make the material accessible to the reader of the ideas contained in a newspaper or a library: the mass of the material must be reduced. The editors or censors
will then make a selection, that selection will necessarily be bad, because in turn they will not be able to read such a mass of information to select alcune.Inoltre will be even more difficult to make a selection new ideas and unusual as it can not be established yet and the terminology that they require a certain period of riflessione.Editori responsible for the maintenance and censors material automatically meaner and already known, by rejecting new ideas.
We can see daily in our newspapers, on television screens, etc..
Now imagine another example - the opposite: that of involving an audience of newspapers between 2000 and 5000 individuals, newspapers, provincial, sectoral, etc.. They can never
disseminate new ideas in their entirety, but will certainly post all new features offered by one of their many readers, and those ideas become accessible to all altri.Ora, if we assume that each community between 5000 and 10000 shall have its own newspaper, we may take for certain that all new ideas are published, though not necessarily read by all the inhabitants of globo.Per how simple the procedure but not however, eludes the rejection of new ideas and possibly result in multiplication and diversification of sottociviltà.
With this imaginary example I wanted to illustrate how the generalized communication, as opposed to the idea that if they did not generally favor the development of the cultural or human knowledge, but is instead an instrument of impoverishment. THE
forms of communication 'VALID appears to remain face to face ones!
( FROM "Utopia establishing" Yona Friedman - EDITIONS Quodlibet)
say that mass communication is a barrier to new ideas, seems at first a stupidaggine.Purtroppo this consideration is a reality.
imagine a newspaper (or a library) that will collect all the ideas formulated in a given time riferimento.Abbiamo already seen, talking about the problem of access, that any find a topic within a similar set would be virtually impossible .
There is only one way to make the material accessible to the reader of the ideas contained in a newspaper or a library: the mass of the material must be reduced. The editors or censors
will then make a selection, that selection will necessarily be bad, because in turn they will not be able to read such a mass of information to select alcune.Inoltre will be even more difficult to make a selection new ideas and unusual as it can not be established yet and the terminology that they require a certain period of riflessione.Editori responsible for the maintenance and censors material automatically meaner and already known, by rejecting new ideas.
We can see daily in our newspapers, on television screens, etc..
Now imagine another example - the opposite: that of involving an audience of newspapers between 2000 and 5000 individuals, newspapers, provincial, sectoral, etc.. They can never
disseminate new ideas in their entirety, but will certainly post all new features offered by one of their many readers, and those ideas become accessible to all altri.Ora, if we assume that each community between 5000 and 10000 shall have its own newspaper, we may take for certain that all new ideas are published, though not necessarily read by all the inhabitants of globo.Per how simple the procedure but not however, eludes the rejection of new ideas and possibly result in multiplication and diversification of sottociviltà.
With this imaginary example I wanted to illustrate how the generalized communication, as opposed to the idea that if they did not generally favor the development of the cultural or human knowledge, but is instead an instrument of impoverishment. THE
forms of communication 'VALID appears to remain face to face ones!
( FROM "Utopia establishing" Yona Friedman - EDITIONS Quodlibet)
Wednesday, June 25, 2008
Edu Science Telescopes 600 Power
Good Vision of the World!
The simple look at a thing does not allow us to move forward. Each
look turns to a consideration, each considered in a reflection, each reflected in a joint.
One can therefore say that we already theorize every attentive look to the world.
However, if the abstraction of which we fear must be countered, and if the result of experience, we hope to be truly viable and useful, you need to know how to take these steps with consciousness, self-awareness, and freedom to use a bold expression, ironically.
(from Theory of Colours by Johann Goethe editions Wolfagang The Assayer)
The simple look at a thing does not allow us to move forward. Each
look turns to a consideration, each considered in a reflection, each reflected in a joint.
One can therefore say that we already theorize every attentive look to the world.
However, if the abstraction of which we fear must be countered, and if the result of experience, we hope to be truly viable and useful, you need to know how to take these steps with consciousness, self-awareness, and freedom to use a bold expression, ironically.
(from Theory of Colours by Johann Goethe editions Wolfagang The Assayer)
Edu Science Telescopes 600 Power
Good Vision of the World!
The simple look at a thing does not allow us to move forward. Each
look turns to a consideration, each considered in a reflection, each reflected in a joint.
One can therefore say that we already theorize every attentive look to the world.
However, if the abstraction of which we fear must be countered, and if the result of experience, we hope to be truly viable and useful, you need to know how to take these steps with consciousness, self-awareness, and freedom to use a bold expression, ironically.
(from Theory of Colours by Johann Goethe editions Wolfagang The Assayer)
The simple look at a thing does not allow us to move forward. Each
look turns to a consideration, each considered in a reflection, each reflected in a joint.
One can therefore say that we already theorize every attentive look to the world.
However, if the abstraction of which we fear must be countered, and if the result of experience, we hope to be truly viable and useful, you need to know how to take these steps with consciousness, self-awareness, and freedom to use a bold expression, ironically.
(from Theory of Colours by Johann Goethe editions Wolfagang The Assayer)
Monday, June 23, 2008
Building A Refractor Telescope
Life Beyond the Image
The whole of nature can be discovered in another close senso.Si his eyes, and listen carefully, until the slightest breath wildest noise, from the most basic sound to the more complex arrangement, the most vehement and passionate appeal to the milder words of reason, will always speak to the nature, to detect its presence, its strength, its life and its connections, so that a blind man who was denied the infinitely visible, in what is heard will take an infinitely living. So
nature speaks to the senses, feelings known, little known, unknown, so talking to herself and to us through a thousand events.
For the man with it ever has in his place any dead or silent, and the solid earth has indeed granted a confidant, a metal, in which smaller pieces have a chance to read what happens throughout. As this language there may appear often varies, complicated and unintelligible, yet its elements remain the same.
With a delicate checks and balances in nature varies this or that way, and thus rises from here and one there, one above and one below, a before and after, from which they are put up all the events that occur in space and time.
We realize in many ways the most universal of these movements and we take them as a simple determinazioni.Ora repel and attract, now like a light that lights up and disappears, or as air motion such as vibration of the body, such as acidification and deacidification, but always as something that connects or separates, which leads to the movement that is given and which produces some sort of life.
But considering those checks and balances of unequal effect, it has also attempted to define this is rapporto.Si noticed everywhere and everywhere is talking about a more and a less of an act and a resistor, a make and a grief, of a push forward and a hold of a violent and a measured, a male and a female.
is formed in this way a language, a symbol that you can use and use in similar cases in image quality as an expression closely related.
(from Theory of Colours by Johann Wolfgang Goethe The Assayer Editions)
The whole of nature can be discovered in another close senso.Si his eyes, and listen carefully, until the slightest breath wildest noise, from the most basic sound to the more complex arrangement, the most vehement and passionate appeal to the milder words of reason, will always speak to the nature, to detect its presence, its strength, its life and its connections, so that a blind man who was denied the infinitely visible, in what is heard will take an infinitely living. So
nature speaks to the senses, feelings known, little known, unknown, so talking to herself and to us through a thousand events.
For the man with it ever has in his place any dead or silent, and the solid earth has indeed granted a confidant, a metal, in which smaller pieces have a chance to read what happens throughout. As this language there may appear often varies, complicated and unintelligible, yet its elements remain the same.
With a delicate checks and balances in nature varies this or that way, and thus rises from here and one there, one above and one below, a before and after, from which they are put up all the events that occur in space and time.
We realize in many ways the most universal of these movements and we take them as a simple determinazioni.Ora repel and attract, now like a light that lights up and disappears, or as air motion such as vibration of the body, such as acidification and deacidification, but always as something that connects or separates, which leads to the movement that is given and which produces some sort of life.
But considering those checks and balances of unequal effect, it has also attempted to define this is rapporto.Si noticed everywhere and everywhere is talking about a more and a less of an act and a resistor, a make and a grief, of a push forward and a hold of a violent and a measured, a male and a female.
is formed in this way a language, a symbol that you can use and use in similar cases in image quality as an expression closely related.
(from Theory of Colours by Johann Wolfgang Goethe The Assayer Editions)
Building A Refractor Telescope
Life Beyond the Image
The whole of nature can be discovered in another close senso.Si his eyes, and listen carefully, until the slightest breath wildest noise, from the most basic sound to the more complex arrangement, the most vehement and passionate appeal to the milder words of reason, will always speak to the nature, to detect its presence, its strength, its life and its connections, so that a blind man who was denied the infinitely visible, in what is heard will take an infinitely living. So
nature speaks to the senses, feelings known, little known, unknown, so talking to herself and to us through a thousand events.
For the man with it ever has in his place any dead or silent, and the solid earth has indeed granted a confidant, a metal, in which smaller pieces have a chance to read what happens throughout. As this language there may appear often varies, complicated and unintelligible, yet its elements remain the same.
With a delicate checks and balances in nature varies this or that way, and thus rises from here and one there, one above and one below, a before and after, from which they are put up all the events that occur in space and time.
We realize in many ways the most universal of these movements and we take them as a simple determinazioni.Ora repel and attract, now like a light that lights up and disappears, or as air motion such as vibration of the body, such as acidification and deacidification, but always as something that connects or separates, which leads to the movement that is given and which produces some sort of life.
But considering those checks and balances of unequal effect, it has also attempted to define this is rapporto.Si noticed everywhere and everywhere is talking about a more and a less of an act and a resistor, a make and a grief, of a push forward and a hold of a violent and a measured, a male and a female.
is formed in this way a language, a symbol that you can use and use in similar cases in image quality as an expression closely related.
(from Theory of Colours by Johann Wolfgang Goethe The Assayer Editions)
The whole of nature can be discovered in another close senso.Si his eyes, and listen carefully, until the slightest breath wildest noise, from the most basic sound to the more complex arrangement, the most vehement and passionate appeal to the milder words of reason, will always speak to the nature, to detect its presence, its strength, its life and its connections, so that a blind man who was denied the infinitely visible, in what is heard will take an infinitely living. So
nature speaks to the senses, feelings known, little known, unknown, so talking to herself and to us through a thousand events.
For the man with it ever has in his place any dead or silent, and the solid earth has indeed granted a confidant, a metal, in which smaller pieces have a chance to read what happens throughout. As this language there may appear often varies, complicated and unintelligible, yet its elements remain the same.
With a delicate checks and balances in nature varies this or that way, and thus rises from here and one there, one above and one below, a before and after, from which they are put up all the events that occur in space and time.
We realize in many ways the most universal of these movements and we take them as a simple determinazioni.Ora repel and attract, now like a light that lights up and disappears, or as air motion such as vibration of the body, such as acidification and deacidification, but always as something that connects or separates, which leads to the movement that is given and which produces some sort of life.
But considering those checks and balances of unequal effect, it has also attempted to define this is rapporto.Si noticed everywhere and everywhere is talking about a more and a less of an act and a resistor, a make and a grief, of a push forward and a hold of a violent and a measured, a male and a female.
is formed in this way a language, a symbol that you can use and use in similar cases in image quality as an expression closely related.
(from Theory of Colours by Johann Wolfgang Goethe The Assayer Editions)
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